On the mystery generators: A Trinary View of the Cryptodynamic Hyperlith

As stated in the name, the three mystery generators are in fact three views of the same object: the Cryptodynamic Hyperlith. It is designed as the seed, the foundation stone, of the entire network that I am building / have built from my art. In one sense, it’s the core of the memeplex from which all of my art branches out from or is otherwise attached to. Each of these mystery generators was designed to Make Life Weirder for the recipients; by the same process, though, they are complexification engines that define and drive the inherent functions of the network. Each generator describes a different view of the Hyperlith, a different aspect of its functioning; each piece is modelled on one of the three Alchemical Principles: Salt, Sulfur, and Mercury.






‘Heterodyne Acustator / Perceptic Inevitabilitron’ corresponds to Sulfur, in a number of ways. Foremost, maybe, is that I hardly knew what I was doing. I didn’t really know what I was working with, and really just made it up as I went along. There was no material I was shaping or vessel holding it; it was the burning itself, the Doing. Further, I used it as the initial rocket, as it were; this was really only the second piece I’d done, period, and it was while working on it that I realized I could imbue it with psychotronic properties. I programmed it as an eternal flame of Mystery, a fire to transform what I was doing with my life, the heat of which could melt down and dissolve any idea, object, or notion.





With ‘Astromakhian Aggregate Aegis | Exvolution Assembly,’ now having a better idea of what I was doing, I needed to set up a foundation, an actual launchpad. This seems a little backwards, launching the rocket first and then building the launchpad, but what are you gonna do. Thus, it is Salt. I was, at this point, just beginning to understand the necessity of supplementing the technical side of things with a mythological side, and this generator was an attempt to describe and catalyze a balance between the two. It was designed, then, as the vessel, the furnace, within which the operation is performed; but by performing the operation within it, the vessel itself changes, is given new meanings. It evolves, but not necessarily linearly; it can change and shift in directions that are unpredictable, or even unknown; an exponential jump in a direction that, until the jump happens, couldn’t be pointed to.






So, the ‘Galactronic Hyperlattice Infinitizer \ Parafictsolvic Coagulo-Generatrix,’ then, is Mercury. It is the New Form, produced from the synthesis of the other two; but it flows, shifts forms, changes; and in its transformations informs the other two principles, so that they combine and synthesize in new ways, new proportions, new configurations, leading to new outcomes; it is the conclusion and the antecedent, what is Arrived At and what is Sought After. By dint of being the last one I made, this generator is the most accurately described; my language, as it were, is cleaner, more concise. It contains my best estimates as to my future goals and the programs and systems I have in place to reach them; but even more, it is inbuilt fluidity, it is Emergence; it is the wellspring of the Unknown, not as the Fire and Heat of Sulfur, but as the pure light that the operation gives off, which defines the principles and tools involved, the system as a whole, but also the darkness; it gives distinction to the edges of what is visible, knowable, and in this distinction that darkness becomes sharper, the unknown presses in, when without the light there is no distinction.

The structures of each of the generators have similarities, especially in the borders. This area is both circuitry and programming, a description of how it works as well as the actual workings. The symbols in the three corners are tied to specific concepts that went in to the fashioning of them. In the top left of each is the glyph representing the whole of the network, the sum total of What I Have Done And What I Will Do. In the bottom left is a concept-device that I was given in deep gnosis, which I still have difficulty accurately describing; it is a memetic applicator/converter, which contains mechanisms that ensure memes mature in the most efficient and beneficial way possible. Part of the reason it’s hard for me to describe is that when I was given it, I experienced its functioning firsthand; and although I could tell what was happening, much of how it actually worked was being expressed in terms of complex mathematical relationships which I quite simply lack the knowledge to understand or communicate. I have to use extremely dumbed-down analogies which I know barely get the ideas across.

Finally, in the upper right is a glyph unique to each of the generators. On the Infinitizer, this is clearly Mercury-derived, both to express the nature of the device and to tie it to Hermes/Mercury Himself, who is one of my Main Patron Dudes. On the Aggregate Aegis, it is a glyph that represents the Spider-Queen of Time, an entity-aspect that it seems nearly everyone is familiar with. A vast majority of the understandings I’ve come to through deep gnosis have been presented to me through the lens of higher-dimensional time, and most of my concepts and ideas work on these understandings; further, this is tied to Salt, because a condition of manifestation/incarnation (indeed, perhaps the condition) is immersion in Time. I learned, rather roughly, that some work can only be accomplished through the agency of time, which is a pretty fundamental understanding. It is with some embarrassment that I confess that I don’t fully know what the symbol on the Perceptic Inevitabilitron is; it is a mutation of a glyph that I received in the same gnostic state as when I got the others, but I don’t really know what it means. I’m unsure if I or someone else will one day figure it out, or if it is tied to an aspect of fire, wherein one cannot get too close to it in attempts to understand it. I guess it’s... a mystery?